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He says he could feel the difference between himself and other people his age when he was interviewing pop bands on CBBC. I had a mortgage and three year-long contracts for Radio 1, Top of the Pops and CBBC, but I’d also had a decade of people recognising me in the street, a decade of my mum telling me, ‘Don’t mess up or it all goes away.’” Why is he so sensible? “At 18, I’d already been on telly for a decade. But Yates is almost never papped at showbiz parties and claims he has never drunk alcohol or tried any drug. It’s not uncommon for someone with that level of adolescent success to become enamoured of the trappings of fame and to start making reckless choices. Often working alongside Fearne Cotton, he quickly made the transition into grown-up broadcasting, hosting all three of the BBC’s tentpole pop shows: The Voice, the official chart on Radio 1, and Top of the Pops. By the time he was a teenager he was hosting a ream of kids’ Saturday morning shows as well as appearing in CBBC dramas. He first appeared on television aged eight, popping up in small roles in A Bit of Fry and Laurie sketches and the groundbreaking C4 sitcom Desmond’s. Yates has had decades to hone this patter. I can’t tell if this is him unwilling to relinquish the role of interviewer or just his matey manner, but by the time our drinks arrive he has worked out that he almost attended the same co-ed secondary school as me, but ended up going elsewhere because his mum was worried he’d be distracted by the girls. He asks me five or so questions before I’m able to sneak my first in. Ready for take-off: Reggie Yates in China with Zhao Deli, inventor of the ‘Magical Cloud’ flying motorbike. “No toast, extra halloumi, a couple more croquettes if anything, and eggs, scrambled, but cooked through, because yesterday they were a bit runny.”
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“Hello again!” he beams at our waiter, before reinforcing status as a regular by ordering the veggie breakfast less as if it was a meal and more an ongoing process of trial and error slowly working towards perfection. He creates the same atmosphere when we meet in a café near his home in southeast London. But whether he’s hanging out with teen e-sports fanatics in the US or traversing the monoculture of China, he seems to manage a kind of everyman ease with his subjects, making them forget the crew and cameras, as if they’re just talking to a friend they haven’t seen in a while. Then there’s MTV’s Reggie Yates Meets World (“Always get your name in the title,” he tells me), which focuses on young people getting rich in unusual ways. The three-part Reggie Yates in China, featuring the drone motorbike, sees him wrestling with the well-trodden contradictions of an authoritarian free-market superpower.
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Yates has two documentary series out this month. It’s an unusual conversation: matter-of-fact and personal, not the kind of thing you often see on TV. They’ve had to sell their home to fund his research and she’s terrified about him having an accident. Instead, he turns to the inventor’s wife and asks her how working on the machine has affected their family. But Yates, 36, adopts neither Palinesque awestruck wonderment nor Therouxvian outsider awkwardness. Viewers watching the feat will be astounded.
REGGIE LEVEL EDITOR STAGE IDS TV
Last year, filming in China, TV presenter Reggie Yates saw that ambition finally realised when a young tech entrepreneur he was interviewing for a documentary climbed on to his drone motorbike and calmly pootled off and up, 50m or so into the sky. F rom Leonardo da Vinci to Iron Man’s Tony Stark, the ultimate ambition of madcap inventors has always been the personal flying machine.